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Music Theory Basics Time
Signatures |
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Having roots at least as old as the rhythmic modes of the late middle ages (12th and 13th centuries) the concept of meter is basic to the performance of western music. A recurring pulse (beat) is organized into regular groups (measures) by accenting the first pulse of each group. Modern meters are divided up according to how many beats are in each measure, and by how the beat is divided into smaller notes. The
standard way for the time signature to appear in music is after the key
signature with one number directly above the other. In order to cut down
on the number of graphics and still have the site readable to as many
people as possible I will follow the convention of "upper # / lower
#." That will result in time signatures that look like this; 2/4, and
not like they actually do in printed music. |
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The Time Signature |
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If you use the American nomenclature of quarter notes and eighth notes (as opposed to the English terms crotchet, quaver, etc.) then you can read the time signature as if it were a fraction. The upper number tells you how many notes of the type represented by the lower number there are in each measure. For instance, in 6/8 time the lower number (8) would be the denominator of the fraction one eighth (1/8), so there are 6 eighth notes in a measure of 6/8. In 4/4 time there are 4 quarter notes in a measure, 2/16 time has 2 sixteenth notes in a measure, etc. The next things you need to determine about a meter is what kind of note represents one beat, and how many beats are in a measure. These 2 answers are actually the result of a single question. Are we in simple or compound time?
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Simple vs. Compound |
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Simple and compound time refers to the division of the beat. In simple
time the beat is divided into 2 equal parts. In compound time the beat
is divided into 3 equal parts. All meters where the lower number is both
larger than, and divisible by 3 are compound (6, 9, 12, etc.). All
meters where the upper number is an even number that is not
divisible by 3 (2, 4, 8, etc.) are simple. Odd numbers not divisible by
3 present a different aspect of meter that we will deal with
later. |
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Duple vs. Triple |
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| Duple and
triple refer to the number of beats in a measure. Duple is 2, and triple
is 3 beats per measure. Quadruple, quintuple, and larger grouping are
also possible. Quadruple, which is actually quite common, is
actually a hybrid. It is 2 duple measures stuck together, with the first
being slightly more important. So in a measure of 4 both beats 1 and 3
get a slight emphasis, but beat one is slightly stronger than beat 3. |
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| How to classify meters |
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Each meter
can be categorized in both ways, so 2 words are required to describe
them. For instance, 2/4 would be simple-duple, with 2 beats divided into
2 eighth notes each. In each case it is the upper number that tell us
what we need to know. For duple meters the upper number will tell
you how many beats are in each measure, and the lower number will tell
you what sort of note gets the beat. In compound meters
the upper number divided by 3 will tell you how many beats are in each
measure, and the lower number will tell you what kind of note represents
the division. Here are a few examples:
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| Beaming within a meter |
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| It is customary to beam any notes faster than the quarter note together as nearly as possible by beat. That means that you can tell a measure of 6/8 from a measure of 3/4 even if there is no meter signature. In 6/8 the eighth notes will be beamed together in 2 groups of 3 each, while in 3/4 they will be beamed in 3 groups of 2 each. | ||||||
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Coming Soon - Meter Drill Sheets |