Film Rhetoric
A Guide to Analyzing, Discussing & Writing About Film
Ethos: Tonal Consistency

The Bad News Bears' team photo.  Image source:www.imdb.comThe Bad News Bears is first and foremost a baseball comedy. The tone of the movie is therefore light and comedic for almost the entirety. It becomes serious primarily in two places. In the first of these two scenes, Amanda is talking to Buttermaker after a game and trying to invite him to do something with her after the next game like go out to eat and to a movie with Amanda and her mother. Buttermaker used to date Amanda's mother and Amanda looks at him as a father figure. A drunk Buttermaker snaps at Amanda for her persistence when he has already turned her down, and he eventually throws beer on her and yells at her. This scene may seem out of place, but what it really is is a long-needed addressing of some of Buttermaker's issues that he eventually sorts out at the end of the film, particularly his need to keep the kids at a distance instead of caring for them.

The other serious time in the movie occurs during the championship game. The coach of the Bears' rivals, the Yankees, goes out to the mound where his son Joey is pitching and has just hit one of the Bears with a pitch. The coach accuses Joey of hitting the player on purpose, and when Joey denies it, his dad hits him. Once again, a moment like this may seem out of place in a comedy film, but it, like the moment between Amanda and Buttermaker discussed above, necessarily addresses issues that have been culminating throughout the course of the film, in this case the issue of people taking the game too seriously. It prompts Buttermaker to realize that he, too, may be guilty of taking the game too seriously, and he quickly changes his attitude, making sure all the players on his team get a chance to play regardless of their ability and potential to cause a loss of the game. This is a decision Buttermaker had to make in order for the film to end on a truly light-hearted note, that of the Bears having played as a team and nearly winning the championship playing that way. This is a much more appropriate ending than them winning through only letting the best players play.

The Kekambas.  Photo credit: www.hardballmovie.comHardball, on the other hand, is nowhere near as light-hearted as The Bad News Bears. Because of this, there is very little humor in the movie outside of the typical types of cracks kids make at each other. Being asked to laugh by the filmmakers at the kids and their lack of baseball skill at the beginning of the movie would make us very uncomfortable since we are supposed to be shocked and saddened by their lives and living conditions. The only safe target for laughter is Connor, and we are only invited to do this on a few occasions, such as when he shows up to help out in the boys' class at school wearing a suit that doesn't fit him and spilling the contents of his briefcase all over the floor. The filmmakers' tonal consistency in Hardball is an example of successful ethical appeal in this case because they manage to keep the tone serious in cases when it might be tempting to turn to humor, and as a result keep from being contradictory and making the audience uncomfortable.