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Problem Centered Teaching and Learning in Music
In the study of music, authentic problems are MUSICAL problems. Musical
meaning, thought, and expression depend upon music making in specific social
contexts but musical problems are not "social" problems. Music is situated
in culture, with different meanings dependent upon the culture. Authentic
music problems are those that recognize the role of music making (musicking)
in culture.
When school music making is confined to the culture of the classroom,
learning experiences are not as compelling as when they are connected to
the culture of the community outside the school. School music teachers
have long taken advantage of the motivation inherent in public performance.
In communities where school ensembles are important components of public
events, students are motivated to participate. To the extent that school
music making can be connected to students' culture outside the classroom,
the more authentic learning becomes.
In many cases, however, musical problems are designed and solved by
the teacher with little student input. An ill-structured problem would
involve students in decisions concerning what, where, when, how, and for
whom to perform. As students create and rehearse their performances, they
make musical decisions and create an authentic musical community within
the classroom. Through musical decision making, they learn how to make
music and how music relates to the world around them. Their analysis leads
to understanding the structure and synthesis of musical events as they
are set in culture, history, and the other arts. This understanding will
be incomplete if the learner has not created music in a social context
through playing, singing, and composing or improvising. |